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The Fall of the House of Usher
by Gordon Midgley
supported by 6 fans who also own “Promise of the Day”
I have always loved music that can tell a story, and here we have a story set to music. This is a delight to both fans of progressive rock music and gothic literature. Excellent job.
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SUBJECTS
by Gordon Midgley & Joan Silentio
supported by 5 fans who also own “Promise of the Day”
Prog rock meets Trip Hop with this new offering from Midgely & Silentio and it's a combination that works extremely well. It even contains a potential hit song with "Sometimes" in particular. The haunting dark side does even get to shine some light and once again the subject source for the albums concept is well apt to the GREAT! music you get here. It's an album that creates a much bigger picture even with its many short tracks that make it up and I do hope there is more to come from this duo.
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supported by 5 fans who also own “Promise of the Day”
Boldly arriving with stallion mounted confidence, through stubborn defiance, to gut wrenching torment and tender moments of regret, defeat and reflection. Very impressive lead guitar work & wah use, as with all the fx and synth work. Ever impressive vocalised story telling from Nathan & Gordon on synergistic harmony. No track disappoints! From 'Childe' on-wards, is a soul birthing, twisting journey of Napiers goodies, cosmic wormholes & Bonesmen's tracklements. To the Heights!
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How Does It Feel EP
by Lizzie Weber
Missouri singer/songwriter Lizzie Weber delivers a trio of songs lightly informed by country music, and fleshed out with strings.
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Dry Bones Dance (2021 Remaster)
by Mark Heard
A 1990 folk-rock triumph gets an overdue reissue, with trenchant lyrics paired with rich Americana arrangements.
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Postcards From the Country
by Trae Sheehan
West Virginia country-folk singer-songwriter Trae Sheehan aims to find a balance between the traditional and the modern on his new LP.
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The Darkness of Error
by Gordon Midgley
supported by 5 fans who also own “Promise of the Day”
Multi-instrumentalist Gordon Midgley offers here a wide range of guitar-based compositions. If you are a fan of the edgy progressive Rock of early King Crimson (Think on the "Red"-album) you must listen to "The darkness of error", very Frippesk, but there are also peaceful shimmering guitar-arpeggios ("Last letter") free-floating ambient-textures ("Old good days") and all is created with the guitar, just the opening track ("Preemptive retaliation") features a synth-line with heavy drums.
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